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With a reddish, blue, and gold color scheme she moves from the water to land to deep in the forest. The second to last comic, which shares the title of the book itself, “Arrive In My Hands,” is co-written by Escobar and Meredith Hobbs Cooks and presents a woman in a beautiful gown searching and traveling. The final two poems present the longest pieces in this body of work and are stunning in prose just as much as they are colored and illustrated. This comic stood out not just for the visuals but also for the unhurriedness during an apocalypse and this sole woman’s ownership of her time. Clad in only blue jeans and socks, breast bare and free, she chooses, freely, to make the end of the world what she wants to, on her own agenda, doing what brings her peace and sweet release.
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Her brown skin stands out against the muted tones of the interior of the library building and the garish yellow of the sickly sky of the outdoors. The opening stanzas start with, “If this is the end of the world, then I will search for books unburned,” and present a young woman content with her version of the world, unhurried. One of my favorite comics, “Patient & Seething,” finds a young woman reading, relaxed in a public library as zombies swarm outside. There’s a kind of cheekiness that comes with Escobar’s writing, making entries like “Fever of Stingrays,” a stunning oceanic encounter, and the simple but memorable three-paneled “Part-Time Tutor.” These are only a handful of examples of the short poems in comic form that bring awe and laughter to the table. The characters that take up space in these pages include bespectacled customers, witches, hunted lovers on the run, and even some creatures belonging to the sea. There are several places of importance in this book: strip malls with nondescript optometrist offices, oceans with riotous waves, forgotten roads, and even graveyards. I was overjoyed to hear that I would be able to read her next work, Arrive In My Hands: Queer Erotic Comics, a collection of poetry-comics and speculative comics exploring everything from self love to validation of self to rebellion and end of world musings. Even in only black and white, I was moved by the comic with her artwork onboard and didn’t feel like the visual narrative was lacking in the absence of color. In the short comic about friendship and identity, I noted Esobar’s attention to detail in such a heartwarming auto-bio comic, and her masterful handling of the panels that paced the story well.
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I first came across Filipina cartoonist and poet Trinidad Escobar’s ( Be Gay Do Comics, The New Yorker, Drawing Power) work through the artwork of Ode to Keisha, written by Jamila Rowser, last year. This collection, Arrive In My Hands: Queer Erotics Comics by Trinidad Escobar serves the medium well.Īrrive In My Hands: Queer Erotic Comics Trinidad Escobarĭigital Copy Available February 2022/Physical Copy Available June 2022 More comics and comic-related reading material crowdfunded, printed out for conventions, and uploaded online exploring not just queer identities but queer desire and queer liberation. In recent years, indie comic readers have been gifted with more and more works, from short autobiographical comics to webcomics and zines to anthologies with the erotic in mind.